Call number: HV 5825 .H68 2013

As America remains embroiled in conflict overseas, a less visible war is taking place at home, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. Over forty years, the War on Drugs has accounted for more than 45 million arrests, made America the world’s largest jailer, and damaged poor communities at home and abroad. Yet for all that, drugs are cheaper, purer, and more available today than ever before. Filmed in more than twenty states, The House I Live In captures heart-wrenching stories from individuals at all levels of America’s War on Drugs. From the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge, the film offers a penetrating look inside America’s longest war, offering a definitive portrait and revealing its profound human rights implications. While recognizing the seriousness of drug abuse as a matter of public health, the film investigates the tragic errors and shortcomings that have meant it is more often treated as a matter for law enforcement, creating a vast machine that feeds largely on America’s poor, and especially on minority communities. Beyond simple misguided policy, The House I Live In examines how political and economic corruption have fueled the war for forty years, despite persistent evidence of its moral, economic, and practical failures.

Call number: PN 1997.2 .C68 2012

Four men, one calling: To serve and protect. As law enforcement officers, they face danger every day. Yet when tragedy strikes close to home, these fathers are left wrestling with their hopes, their fears, and their faith. From this struggle will come a decision that changes all of their lives. With action, drama, and humor, the fourth film from Sherwood Pictures embraces God’s promise to “turn the hearts of fathers to their children, and the hearts of children to their fathers.” Souls will be stirred, and hearts will be challenged to be … courageous!

Call number: PN 1997.2 .F57 2009

A feel-good drama, Fireproof has a strong agenda: stay married, lead an honest life, and let your faith in a higher power help guide you. A still boyish-looking Kirk Cameron (Growing Pains) stars as Caleb Holt, a mercurial-tempered firefighter whose marriage is on the rocks. He clearly enjoys his status as a hero, but it comes at the expense of his marriage. His wife Catherine (Erin Bethea) is tired of the distance and wants him to make more of an effort at home, rather than surf porn on the Internet and hoard his earnings toward his dream fishing boat instead of helping out her disabled mother. Faced with impending divorce, Caleb’s dad challenges him to follow the “40-day love dare,” in which each task (cook her dinner, say nothing negative, etc.) is meant for him to better understand love and commitment and try and win his wife back.
The third film by brothers Alex and Stephen Kendrick, Fireproof is the siblings’ most polished feature. Cameron does a fine job of making Caleb real and believable, even when we’re not always liking him. Though saddled at times with maudlin lines, Cameron adds emotion and range to his role. There is a not so subtle theme that the Holts–who at the beginning of the film are agnostic–needed religion to save their marriage. Clearly, Fireproof believes in its agenda and was made with the Christian audience in mind. Whether secular audiences will fall under its spell as well is debatable. But no one should walk away from the film offended. –Jae-Ha Kim

Call number: HV 6762 .N7 C76 2011

The spine-tingling documentary CROPSEY peels back the layers of fact and fiction behind one of New York’s most disturbing unsolved mysteries. Growing up on Staten Island, NY, filmmakers Joshua Zeman and Barbara Brancaccio had often heard the legend of “Cropsey.” For the kids on the island, he was the escaped mental patient who lived in the tunnels of Willowbrook and came out late at night to snatch children off the streets. “Cropsey” remained just that, an urban legend, until the summer of 1987, when Jennifer Schweiger, a 13-year-old girl with Down syndrome, disappeared from her neighborhood. She was found buried in a shallow grave five weeks later on the grounds of Willowbrook. In “Cropsey,” Brancaccio and Zeman return to Staten Island to undertake their own investigation of Jennifer and four other missing children as well as the real-life boogeyman linked to their disappearances. Brancaccio and Zeman skillfully combine a riveting true-crime drama with a personal exploration of the Cropsey myth, uncovering a reality more terrifying than any urban legend.

Call number: HV 3004 .U53 2002

 It was a nightmare that shocked not only New York, but all of America. The public outcry about the Willowbrook State School for people with developmental disabilities resulted from Geraldo Rivera’s expose after he had entered Willowbrook with a film crew in 1972, using a stolen key. UNFORGOTTEN takes us on a tour of  the facilities and interviews residents and their families about the inhumane treatment that shocked our nation. “The integration of the developmentally disabled into mainstream society; I think that is the triumph of the Willowbrook saga.”— Geraldo Rivera